FORTHCOMING: “Proposing the personal: centering vulnerability and transparency in how conservators communicate” co-author with Celeste Mahoney for a chapter in Ethical Conservation and Collections Care: Prioritizing People in Decision-Making and Practice, edited by Nina Owczarek Herrera, estimated publish date 2023
“Rarely Either/Or: Advocacy from Internal and External Sources” (toolkit created by M. Schindler) Co-presenter in the Conservation Center for Art and Historic Artifact’s Let’s Talk About That: Dialogue and Change in Collections Care series, 2022
“Investigating a value-based approach to conserving deteriorating plastics, a case study“ in Contemporary Art Network! Post-prints from the AIC Annual Meeting: Plastic Challenges in Cultural and Ecological Preservation, Session II, 2022
“Are we working from a foundation of fear?” Blog post on WhatIsConservation.com, 2022
“Value-Based Decision Making: One approach to increasing empathy in conservation practice” Article adapted from the Conservation Center for Art and Historic Artifact’s Diversity in Collection Care: Many Voices virtual colloquium, 2021
“Who is a conservator? What is conservation? Evolving our identities and practice to thrive in an inclusive world” Co-author to opening session talk at the AIC’s virtual Annual Meeting, 2021
“Ethics in Textile Conservation” Guest lecturer in WUDPAC Textile Conservation block, 2021
“Intersectional Environmentalism in Heritage Conservation” Moderated panel discussion for MANA Contemporary, 2021
“Professional Advocacy through Museum Unionization: Organizing 101, A Panel Discussion” Two panel discussions co-organized by the Philadelphia Area Conservation Association (PACA) and AIC’s Emerging Conservation Professionals Network (ECPN), 2020
“Conservation Ethics and Theory” Contributor to a publicly-accessibly bibliography located on AIC’s Conservation Ethics Wiki page, 2020
“Conserving Vintage Dior: Investigating New Methods for Cleaning Deteriorating Patent Leather (script)” Presentation for the Plastic Challenges in Cultural and Ecological Preservation session at the AIC Annual Meeting, 2020
“Conservators Combating Climate Change: A New Podcast Series by the American Institute for Conservation’s Emerging Conservation Professionals Network” International Institute for Conservation’s (IIC) October News in Conservation e-magazine (pg. 52-55), 2020
“Documenting Reflectivity: Ongoing Study of Robert Rauschenberg’s Reflective Metal Paintings” ICOM-CC Metals Working Group Newsletter, 2020
“REFLEX & REFLECTIVITY: Reflections on my final year as a WUDPAC Graduate Fellow” Final Oral Presentation for the Winterthur/University of Delaware Graduate Program in Art Conservation, 2020
“Cleaning Synthetic Textiles: A Case Study” Presentation for WUDPAC Textile Block, 2020
“Conservation as a Balancing Act: Preservation of the Marshall Steam Museum’s Steam Car Model” Marshall Steam Museum and Friends of Auburn Heights newsletter, 2020
“The Universal Language of Collection Care” Western Association for Art Conservation, 2020
“Documenting Contemporary Art” Winterthur/University of Delaware Program in Art Conservation Student Blog, 2019
“Building Bridges and Blurring Borders: Collaboration Initiatives in Modern and Contemporary Art Conservation Education” Association for North American Graduate Programs in Conservation 2019 Post-Prints, 2019
“Mummy Mysteries: International Science Project Uncovers Ancient Egyptian Secrets at the CMA” Cleveland Museum of Art blog, 2018
“Building Bridges and Blurring Borders: Collaboration Initiatives in Modern and Contemporary Art Conservation Education” Association for North American Graduate Programs in Conservation 2019 Post-Prints, 2019
“Mummy Mysteries: International Science Project Uncovers Ancient Egyptian Secrets at the CMA” Cleveland Museum of Art blog, 2018
“Materials Information and Technical Resources for Artists – Resources” University of Delaware website, 2016
“Cheyenne Rudolph at Ringling Underground” Artist Interview published on Sarasota Visual Art, 2016
“Nathan Wilson at Ringling Underground” Artist Interview published on Sarasota Visual Art, 2015

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